In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.
One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.
Brandon Taylor is the author of the novel Real Life, which was a New York Times Editors’ Choice. His work has appeared in Guernica, American Short Fiction, Gulf Coast, Buzzfeed Reader, O: The Oprah Magazine, Gay Mag, The New Yorker online, The Literary Review, and elsewhere. He is the senior editor of Electric Literature’s Recommended Reading and a staff writer at Lit Hub. He holds graduate degrees from the University of Wisconsin-Madison and the Iowa Writers’ Workshop, where he was an Iowa Arts Fellow.
Read: Prophets, Joyland
Review: Brandon Taylor’s ‘Filthy Animals’ Is a Study in Rogue Appetites, The New York Times
Begin by writing about the last book launch you went to. Start with specific details you remember, grounded in reality, then feel free to go in any direction you wish. Aim for three pages.